Faculty Profile

Ishan Khosla

Associate Professor

Total years in experience: 18 years

Papers published in journals

• Skin to Screen: Transforming the indelible markings of godna into a digital typeface, CIHA

Papers presented in conferences:

• After Life: lessons on product longevity from the informal economy at the International Upcycling Symposium 2020: Research and Practice. De Montfort University, Leicester, UK. 09/2020
• Panel discussion on The Object, in the age of reuse by Tiipoi at Delfina Foundation, London Design Festival. 09/19
• Paper, Comité International d’Histoire de l’Art (CIHA), Skin to Screen: Transforming the indelible markings of godna into a digital typeface. 08/19
• The Typecraft Initiative. Pune Design Festival. 01/20
• Paper selected for the Making Futures conference, Plymouth College of Art. 09/19
• The Relevance of Craft in Today’s World, at M.S. University, Baroda as part of the Narrative Design in Craft conference. 02/17
• From Skin to Screen: a look at the Godna tattoo Typeface, Fukuoka Asian Art Museum, Japan. 10/16
• The Everyday in Design. CEPT, Ahmedabad. 09/16
• UX India, Bangalore. 10/17
• Typo Berlin (The Typecraft Initiative) 2017. 05/17
• Work in Progress for Better Tomorrow as part of the Porosity Kabari event, Studio X, Mumbai. 02/16
• The Japan Foundation on Connections between Design and Traditional Culture. 12/13
• The 7th Gyeonggi International Ceramic Biennale, Korea. 10/13
• Speaker: Roots, Identity, Modernity, on tradition and the contemporary in the Asian context. 07/13
• Culture, Craft and Society in the Context of Indian Design, Kona Design Pop-up, New Delhi. 01/13
• Semi-Permanent (NZ): Value of Design from Different Cultures, Wellington. 11/12
• Participated in a design hypothetical at the Powerhouse Museum, Sydney. 11/12
• The Influencer Conference. Panel discussion: Whether India needs a Design Identity, Mumbai. 10/12
• Design x Design, Alliance FranÇaise, New Delhi. 09/12
• TypoDay, IDC, IIT, Mumbai, 03/12

Academic Background

• Degree Programs:

• BS Computer Science, University of Washington, Seattle, USA. 06/00

• MFA Design, School of Visual Arts, New York City, USA. 05/05

Short Programs:

• Summer Program on Typography and Design: Hoschule für Gestaltung und Kunst, Basel, Switzerland. 06/16

• BFA Program in Visual Communication: The School of the Art Institute of Chicago, USA. 2002–03

 

Career Graph:

• Ishan Khosla Design LLP (Founder-Director, Partner): 03/08–Present
• The Typecraft Initiative (Founder-Director, Partner): 08/12–Present

2005–2008:

Art Director, And Partners, New York City

Senior Designer, Decker Design, New York City

Designer, Studio Blue, Chicago

2000–2001:

Designer, Resonance, New Delhi.

2001–2002:

Freelance designer.

2000–2001

Internships:

• Noon (San Francisco), 2003
• Farrar, Strous & Giroux (New York), 2003
• Cabinet Magazine (Brooklyn), 2004

Honours and Achievements:

• MUSEUM COLLECTIONS:

• “Kutch Toran” with over 12 crafts and as many communities collected by Living and Learning Design Centre (LLDC), Kutch. 01/19

• Work submitted for Serendipity Arts Festival collected by the Munjal Foundation. 12/18.

• Tal patra chittra (palm leaf craft) for Sangam, collect by The Powerhouse Museum, Sydney, Australia. 11/11

• Typecraft Initiative (Chittara and Godna): collected by the Fukuoka Asian Art Museum, Fukuoka, Japan. 02/17

• Pardesi: the turban untied, artwork, permanent collection, Devi Art Foundation.
  
  
  

AWARDS & ACCOLADES

• In-Book Winner, Kyoorius Design Awards, Book

• Cover, Bhaunri, 09/19 and Branding Diversity:

• Kutch. 10/18

• Winner, D&AD Kyoorius Design Awards, Book

• Design for Eye Spy Indian Art. 09/16

• Winner, Book of the Year, Publishing Next. 09/16

• Included in Elle Decor’s Fresh Faces: Top 15 young

• Indian designers to know right now. 03/16

• NYPD Roadblock Bench, shortlisted by the

• Godrej Design Lab. 12/14

• The Asia-Pacific Design Awards (APD). 2013, 2014

• Finalist, for the D&AD Kyoorius Design Awards:

• Design for Identity (Oz Fest) and Design Craft

• (Chittara Typecraft). 08/13

• Part of the Indian delegation invited to Japan,

• for the three week long, Asian Curator’s

• Program [ Japan Foundation]. 9/13

• Invited to the Netherlands in 10/10 and 05/11,

• by the Dutch DFA to foster greater design

• collaborations between the two countries.

• Finalist, Young Creative Entrepreneur (YCE)

• Award. (British Council). 2010

• Graphis, New Talent Design Award Annual, New York. 06

• ::Output Foundation Design Award. Germany. 06

• Worldstudio Foundation Scholarship, New York.

• 07/04 Placed 2nd and 3rd, in 2003 and 2004, International Photo Awards

Research:

1. Interests: Indian vernacular design, culture and objects, crafts, type design, jugaad and street furniture, behaviors in the informal economy

 

Books Published:

Books with my work:

• Bi–scriptual, Multi-script typography. 2018

• Year Book of Type 3. 2018

• Tokyo Type Director’s Club Annual. Vol 26. 2015

• India: Contemporary Design (V&A), London. 2014

• Typographic Universe by Steve Heller/Gail Anderson. 2014

• Found Type, by Steve Heller/Gail Anderson. 2013

• New Graphic Design: the 100 best contemporary graphic designers. 04/13

• Here, There, Everywhere by Droog, Amsterdam. 2014

• One by One, by Hesign, Berlin, Beijing. 10/12

• Stop, Think, Go, Do by Steve Heller/Mirko Illic. 2012

• Asian Graphics Now! Taschen. 2010

• Shapes and Symbols, Rockport Publishers. 2010

• Logo Lounge 6, Rockport Publishers. 2010

 

Writing Published:

Unconscious Design: A Look at the Design of Everyday India. Verve Magazine. 05/17

Design Pataka: the Explosion of Design in India, 2010–16. A report commissioned by the Government of the Netherlands and Dutch Culture. 12/16

The Kaavad: from devotion to decoration, Garland online magazine. 12/16

Kutch: a visual identity for a radiant people

A Future for Design: Improvisation through the Informal Economy; Take on Art (Design Issue). 01/12

A Partnership of Contrasts, Dutch DFA Annual Report, Page 62–64. 01/10